Source: BBC Radio 4 "Ambridge Extra"

http://www.bbc.co.uk/podcasts/series/archers archers_20130905-1430a.mp3

Thank you for downloading The Archers podcast. This is Thursday's episode of Ambridge Extra, first broadcast on BBC Radio 4 extra.

Leonid, darling. How lovely to see you. ... Thank you for sending such a lovely ___. / It's my pleasure. / Well, this is quite a place. Oh, are those your stables over there?

Let's go. Inverness Airport. Quick as you like. I say, quick as you like. ... Come on, Lilian. ... Lilian, Lilian, thank god you picked up. Listen to me. / Matt, Matt, it's me. It's Brenda. / Brenda? What are you doing with Lilian's phone? / She left it here, at the hotel. / Well, where's she gone? / help you, Matt. / the phone back for you / Oh, the phone? The wretched phone, oh my god. / What's going on? / she's got no idea how much danger she / yes, she does. I told her about the murder and everything. ... I tried to stop her going, Matt, but she went anyway ... for you. ... Matt? Are you there? / It's true then. She's at Kedrov's place / sorry, listen. Uh, would Dmitri know where that is? / I suppose so. They know everything, those two. But I'm not sure if we could trust them. / Listen to me, Brenda, / this is the second time Tanyana got me out of big trouble / No, Brenda, please listen, I've got to know Kedrov's address / Sorry, will you ask him? Will you ask Dmitri?

Zanzibar, zanzibar, moi __ krassavits / __'s quite remarkable. / Half a million dollars of racing poetry on four legs. ... Thank you, Billy. / Sir. / Are you ready? / For anything.

xstrechai / Brenda. Brenda, ... kroshka. / Hello, Dmitri. Tatyana. / Hello, Brenda. It's good to see you. / I've come for a reason. Lilian's in trouble. / What's happened? / She's gone to Kedrov's mansion in S__ / What? / Matt wants to go directly there to get her out. Do you know where it is? / phone him. Tell him. please. / Сегодня. Сейчас. Немедлено. / I'm going to speak to Tanya in Russian now, not because I want to hide anything from you but because it's quicker. Is that OK? Brenda, is that OK? / Yes, that's OK. / не можем / мне должен / сегодня / Да, конечно / Ты должен yehaty

I say, darling, this is some room. Is the, um, safe behind here? / Safe? / Huh. the one you told me about yesterday evening, darling, with all your lovely emeralds in it / behind the painting? The most obvious place? Ha ha, as a matter of fact, it is. I've got excellent security. / I'm sure you have. / Since you remember so well, I think you should try something on. ... Let me just ... / there are so many boxes. / Why don't we save the amethyst and start with the emeralds? / Leonid. Oh my word. / Come over here, by the mirror. ... You can try it on. / I've never seen anything like it. / Lift your hair. ... There. / It's so heavy. But, do you think green is really my color, darling? Did you say you had some Amethyst in here too? / Looking for anything particular, Lilian? Could it be this? ... I think it's time to bring Matt into this, don't you? / Matt? / You can give up pretending. Give him a call. Catch. ... Go on.

Nicolai B___? What the ... Who is this? / Matt, Matt, it's me. / Lilian. / I'm in Leonid Kedrov's mansion. He'd like you to come over as soon as you can. Will you do that, Matt? Will you come? Please? / You hang in there, pussy cat. I'm coming to get you, Lilian. ... Lilian?

Here we go. / Matt. Wait. / Dmitri. ___ ___ glad to see you. / I thought it might be a good idea. / Yeah. / Shall we?

Oh, Matt. / Lilian. / Dmitri D___. / Dima. / I've had the great pleasure of entertaining Lilian today, Matt. As you see, she admires fine emeralds. / I'd like to take them off now. / Very well. / that's a relief. / I can imagine. / We've been out riding. Lilian is a bold rider. / I / You recognize this? / Matt, I don't think ... / It's the contract that proves my ownership of ___ piece of land. Your son, V__, / ago at St. Petersburg / your son, Vitaly and Nicolai B___. Uh, don't worry. It's the original. / I can see that. / I learned today that this piece of paper is worth a great deal a money. God alone knows how much. So, I finally understand why you wanted to deceive me and destroy this. But I'll save you the trouble. I don't want it anymore. / Matt, what are you doing? / You see, I prefer simple pleasures, Leonid. A country walk on a summer evening, a ___ with friends, and live in peace with the woman you love. So, you win, Leonid. If anything puts me or mine at risk ___ people like you, I don't want it. I give it up. See? I've made it easy for you. All you have to do is leave us alone. Come on, pussy cat. It's time to go home. / Oh, Matt. / What a play you make. That might work with some people, but not me. / What are you talking about? / What about the rest of the development, the small matter of the other 92%. / I don't know anything about that. That's nothing to do with me. / don't lie to me / He's not lying, Kedrov. / It's not Matt. It's me. / What? / What? / My sister is completing the share purchase now. / Tell me, Dmitri, D___,  why should I tolerate that? / My sister secretly downloaded the contents / you and c___ / had / B___ murdered / the information is in my lawyer's safe with instructions to prosecute if any accident should happen to any of us. It's over, Leonid. / Come on, let's move. / Lilian, quick, quick, come on / come on, we don't have much time. / I can't get / get out the way, Matt. Let me. / Drive, drive drive drive ! / Matt ... / Shhhh, shhhh. .... It's over now. It's over at last.

I'll build that factory, Brenda. But the people who lived there will get a fair deal from me. I told you ___'s why I wanted / in the first place. / Hmm. ... And you thought I / tell someone, didn't you, mess up your deal / yes, I thought you might, accidentally. But my most important concern was for your safety. When you don't know anything, you are in less danger. I just wanted keep you safe. ... You are not coming back to Russia with me, are you? / No, I'm not. I just can't do it, Dima. Your world, your life, it's too much for me. / I only got involved at all because I knew I would lose you if Matt got hurt. But now, I've lost you anyway. / Here, ___. Look at me. Everything, every moment with you, has been so wonderful, Dmitri. I'm going to treasure those moments in my heart. / Brenda / and I'll never forget you. I will treasure them until I am a grey, grey old lady. / You'll never grow old for me. For me, you'll always be as you are now. ... Look in the bedside drawer. / What's this? ... Oh. / It's the diamond you found back home. Do you remember? I'd hidden it in the kitchen. / Oh. / I bought it for you the day we met, the day we went to the Hermitage. I knew then what I felt for you. / Oh, Dima. / Now, it's your keepsake of our time together.

That's the best way to wake up. / Did you sleep well, darling? / Huh. Best night sleep I've ever had since ... well, a very long time. / Matt, / Huh? / I want, I want to say thank you. I know what you did. / Uh, no no no, don't / No, please, let me say my piece. ... Thank you for choosing me. You chose me above everything you've ever wanted, in spite of ... well, in spite of Paul. And I'm not sure I deserve it. You were magnificent. I'll never forget it. / When I was in that car, driving to Leonid's ___ ___ you were in the most terrible, terrible danger. I was so scared, Lilian, scared that I could really lose you. See, I knew then, that whatever had happened between us, / Oh, Matt, I'm so sorry. / Shh shh shh shh ... I knew then it was all past. Didn't matter. You put yourself in awful danger for me. And, when I walked into that ugly room, and saw you there so beautiful ... well, I don't know anyone as brave as you. / Come here, tiger ...